To Blog or Not To Blog a Novel

By Camdiluv, from Concepción, CHILE (Colours) [CC-BY-SA-2.0 (http://creativecommons)

By Camdiluv, from Concepción, CHILE (Colours) [CC-BY-SA-2.0 (http://creativecommons)

I say “novel,” but it could just as well be a short story.

I’m going to try to make this short and sweet.

There are all kinds of advice floating around about whether or not one should or shouldn’t blog out portions of one’s work into the Internet…how it might or might not damage the success of said work, should the blogger want to publish it, en masse.

Dare I say it?


To that I add: pure bullshit.

A member of the writing I belong to expressed concern about that, because that was what this member was doing…then had stopped…but was, again, considering doing. He did it because of several reasons, some of which were that he enjoyed doing it. It got him writing. He’d found an audience.

I’d say the following be my opinion, but I really don’t think it’s an isolated “opinion” anymore. Heck an opinion at all; it has become fact: As long as what you do doesn’t hurt anyone, do what you love. Do what you enjoy. There are always people out there who love serials…and those who would love to read those serials again…or in one complete form. Those who have never seen your work, so one platform or the other serves them.

Do you really think a traditional publisher is going to care whether or not you blogged about your work–if they really felt they could make millions of you?

Hell no.

Any free promotion they can get to help sell their version of your work, all the better.

Look, no trad publisher is gonna take you if they don’t feel they can make a buck off of you, period. Your blogging of your book is an antiquated issue, based upon antiquated reasoning. Antiquated reasoning is what’s damaged (and continues to damage) traditional publishing. Reasoning can be made for or against anything, but it’s all about packaging. Look at all the crap out there that’s been out there for ever, suddenly repackaged and re-promoted. Instead of bitching and moaning about what not to do, about how terrible the world is and how things “could never work,” why not spin that frown upside down, my perfectly bound friends? Anything can be sold. Just put out a little effort, for crying out loud.

And you can always, always, Indie publish (don’t even get me going about how Indie publishing merely promulgates more shitty work into the world).

Do what gives you joy.

It’s your life.

Live it as you want. If your work is good or meant to succeed–in however way you define it—it will.

Just ignore all the white noise out there, and do what makes you happy. Life is short. Play hard.

To “he” out there, you go, dude! Have fun and keep your audience wanting more!

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Psychic Cover Reveal!

© Psychic (F. P. Dorchak and Duvall Design, 2014)

© Psychic (F. P. Dorchak and Duvall Design, 2014)

Here is the front cover to my new novel, Psychic.

I decided to do the cover early, this time. I’m still polishing the manuscript, which, I think, still has a couple of months to go. But I’ve had such a hard time visualizing what I wanted for the cover since the very beginning of this manuscript’s creation…and, with the help of Karen Duvall, of Duvall Design, we came up with a great image, huh? I really love it.

Psychic is about a humble and angst-ridden hotline psychic who gets embroiled within a remote viewer government conspiracy, headed up by one shady, evil, Victor NMI Black. It’s an action/adventure that shows the origin of The Man With No Name (MWNN), a character from Sleepwalkers, and interlaces an alternate history storyline with John F. Kennedy. The story takes place in 1994, where JFK is 77 years old. The date is also significant, since the official remote viewer organization the government had used (in our present-day reality) was officially disbanded that year. I use a present day organization, The Monroe Institute and morph it into an alternate location, called the JFK Center, where my story’s remote viewer activities take place. The story is heavy on probabilities…the different roads that actions and people can take…or not. I play around with time…time travel…paradoxes…how scary, nefarious people can come into other people’s lives and simply take them over. How much of what you read in the news is real…or fashioned. Can “facts”…change? This is an intricate story…a gritty story (much grittier than Sleepwalkers…but it is part of the Sleepwalkers “universe”; I expect at least one more novel to come out of this universe)…and gets into the “backgrounds” of our lives and how things may—or may not—come into being in our everyday lives, however nasty those things may be….

Check out my Psychic Pinterest board for images related to this novel!

Many, many thanks go to my “cover girl,” Karen Duvall, of Duvall Design. And I hope you’ll all join me when Psychic is unleashed upon the world, and enjoy what I’m billing as the ultimate conspiracy!

Feel free to freely use the cover graphic in any (legal and tasteful) ways possible, just properly attribute ownership!

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Yes, Book Editors…Edit?

By Frank Leslie's Illustrated Newsletter, New York [Public domain], via Wikimedia Commons.

By Frank Leslie’s Illustrated Newsletter, New York [Public domain], via Wikimedia Commons.

I just read this article from a tweet, and it was most interesting.

Do book editors…edit?

And, as the article’s author pointed out, “I probably mark up fifty to a hundred pages a week, most of it on the weekend.”

Did you catch that?

“…most of it on the weekend.”

Now, it’s not that I’m taking issues with the “not editing at work” part, so much as it is that I totally understand the sentiment. I work for a big company, so I know, yeah, Big Company Structure and Business do get “in the way” of your “paid job” at times. It’s the nature of running Big Companies. You have training and meetings and round tables and whatnot. Phone calls. Needy clients. It’s simply the nature of Big Biz.

Yet, there is the issue brought forth that editors don’t edit. But, whether they edit at work (where they’re, uh, supposed to work…?) or at home shouldn’t really be the issue, should it? And the “agents do the editing” discussion. How agents are doing the editors‘ work. Or that no one really edits anymore and everything should be “camera-ready” before it hits an editor’s desk. Or that it’s only the disgruntled few who don’t get published rattling all the cages….


Look, people are going to complain about anything and everything, and those who don’t get what they seek are going to complain the loudest. It’s the nature of Humanity. Add to that all the troubles going on in the publishing industry over and above–and yes, directly related to some of these discussions–and you get quite the complicated picture.

Or, perhaps, it’s simple not that complicated at all.

Once you factor out the basic Human need to complain, the basic Human need of those who feel conspired against complaining, the need for those who do edit feeling left out and overlooked, or any of a handful of obvious variables, what’s left?

A publishing industry at odds with itself.

I’m not saying there is no validity to the piece, and I’m certainly no insider myself–heck, you could call me one of the disgruntled masses, since I’d had an agent for several years, we got nowhere, we parted (amicably) and I went Indie–but is there no truth to any of the claims–or counter claims?

I think there’s a little of both.

Look, nothing’s perfect, and the past wasn’t perfect either. Publishing (and agenting) has changed. From everything I’ve learned about publishing, there is some truth to the claims that editors don’t edit as much as they used to do (I’ve heard it from their own mouths)…sure some do…but some don’t. And, yes, agents are doing more editing than they used to (I’ve heard it from their own mouths). And, yes, publishing (talking execs, here) does want everything that comes across their transits to be “camera ready” (once, again, have heard that from their underlings, aka editors…and agents). And, yes, some editors do editing…at home, at the office, or both.

Where’s the evil, here?

It’s not black and white, it’s not all or nothing. There are, if you’ll permit me…shades of gray. Lots of it. Get over it. Quit being so quick to take [public] umbrage at every little jab at your profession. Sure, be proud of the work you do, but understand…it’s not what it used to be, and that is not necessarily a good or bad thing. Some of you do more of it than your peers.

So, really, this is the big discussion we need to be having about publishing?


Cemetery Art

By Robin from Kraków, Poland ( Public domain via Wikimedia Commons)

By Robin from Kraków, Poland ( Public domain via Wikimedia Commons)

You know, one might well ask, what the hell, Frank? Why are you so fascinated with cemeteries?

Fair question.

I’m fascinated with life…and life involves transitions. Part of those transitions…is death.


I posted my query to myself on this same question, in my post Cemetery Dance, where I attempt to answer this question. But, since I’ve gotten onto Pinterest, I found something else that piques my interest about cemeteries: all the really cool cemetery art. Yes, art. The stuff is incredible. It’s art that rarely seems to get the time of day. Sure, some of it is creepy, but to someone, like myself, who’s interested in the paranormal and supernatural, wow, it’s some of the neatest art out there! A real-life Night Gallery of sculptures! And what they reveal in their composition can be quite stunning. The love and caring that went into their creation, the expression of their love for the dear departed over which they now reign can be downright striking.

So, rather than post all kinds of Pinterest photos here (if that’s even legal…), please take a look at some of my collection. I’ve only recently gotten onto Pinterest, so I don’t have a ton of material, but I do add to it kinda frequently, so please, feel free to stop by off and on, during your travels! Hope you find them as fascinating as I do!

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We Need To Care

By The Onion Router (Tor) Project, Naval Research Laboratory, US Department of Defense, Washington DC [Public domain], via Wikimedia Commons

By The Onion Router (Tor) Project, Naval Research Laboratory, US Department of Defense, Washington DC [Public domain], via Wikimedia Commons

I recently got involved in an online thread, when I asked about how to leave the contest. It was an interesting conversation, but what kinda disturbed me was how the money was the big motivator in the decision to partake in such contests at the expense of rights. Then, I watched a 60 Minutes piece about data mining. See this link for privacy protection information. I’m not naïve about data mining, but I was definitely raising my eyebrow about the extent of data mining. How is any of that even remotely legal, what with all the protection-of-privacy decrees we have out there? With all our indignance over domestic spying? If we get all ruffled over our own government agencies directing their spying efforts on ourselves, how to do we even remotely allowed commercial spying on ourselves?

There is so much to go into, here, on this subject, but the point I want to narrow down to is that we need to care what we sign away for our rights, for our toys. I read all those pages of terms before I get any app…and have dumped some apps because I didn’t like the terms. But does this even really matter, given the indecent lengths to which commercial companies are mining all of our data and actively selling it to other companies? Data as personal as what diseases you have, your sexual orientation, whether or not you use drugs (and how much), and what web sites you visit, and for how long?

It is also not made any easier by companies increasingly doing more and more business online, asking extremely and increasingly more personal questions online that are becoming mandatory before you even use their online functions. Even now, we are losing large leaps of privacy in the name of ease-of-use and accessibility.

Many argue it’s an inevitability. We can’t win.

I’ve asked a handful of people about this kind of thing off and on over the past few years, and I’ve received a disturbing amount of “I don’t care.

Good Lord, that scares the crap out of me!

You do not care that your personal rights-to-privacy are quickly eroding, just so you can tweet you’re taking a shit at a Pink concert?

You just want to take the money and run, and not care how a novel your poured your heart and soul into will be treated forevermore in the future?

Have we become so shortsighted a race in the  name of the goddamned Internet? Instant gratification, where everyone’s a superstar on Twitter?

There is so much good about the advancement of technology and the creation of computers, but I guarantee you will regret it sometime in your future. You will. You will regret you did not take better control of what you let go in the frenzied grab of the next useless toy and app you installed on that toy, and it will be far too late.

But there are agencies out there fighting this uphill battle, and I applaud them. They realize the logical conclusion to all this insanity. Just because you can do something, does not mean you should. Just because you use the Internet does not mean others out there are granted the inherent right to snoop in on you. To market what they mine to others because it better suits them in their marketing (i.e., they can make more money off of you—the almighty friggin profit-driven society).

Again, there is so much to say on this topic, but I just want to bring it before you now, and implore you to pay attention to what you’re doing. Don’t give away your freedoms. Say NO. Encourage others to do the same. And it doesn’t matter what’s already out there. It’s never to late to stop, to say No, and attempt to put an end to this heinous use power.

We need to care.


Yeah, you. I'm talkin' to YOU. (By Wer-Al Zwowe (Own work) [Public domain], via Wikimedia Commons)

Yeah, you. I’m talkin’ to YOU. (By Wer-Al Zwowe (Own work) [Public domain], via Wikimedia Commons)

Okay, I have finally gotten my act together and created my first newsletter (sent by MailChimp; to only get the newsletter, do not create a MailChimp account here; go to the column on the right of this post, and select “Newsletter” to only get a newsletter; this “MailChimp” link is for creating a MailChimp account to send newsletters), which is cool and funny in and of itself, and makes neat, chimp-like noises when you watch their instructional videos). It’s set to send early tomorrow morning. I’m curious to see if people get it and if it’s readable. It’s not about me, this first one. I hope to have some sort of regularly scheduled missive sent out, either quarterly or monthly. Depends on what I have to say. If you haven’t yet done so, and are interested, please select the “Newsletter” selection to the upper right.

Once again, thank you for your support!

Going Indie—What I’ve Learned (So Far)—Part 9

Pay or Die! By W. M. Goodes (Nye, Bill: “Bill Nye’s History of England” (1900)) [Public domain], via Wikimedia Commons.

Pay or Die! By W. M. Goodes (Nye, Bill: “Bill Nye’s History of England” (1900)) [Public domain], via Wikimedia Commons.


Note to IRS: Writing is NOT a hobby to me.

We had our taxes done this past week, and, once again, I got hit with the standard spiel about “Hobby/Loss” rules. About my pitiful pittance of so-called “profit.”


Because I’d spent a couple thou on releasing two novels of mine last year (not counting my normal writing expenses) and hadn’t made a profit. Though I was physically and mentally exhausted at this tax meeting, and was, admittedly, a bit angry with the same (insert favorite expletive) admonishment I’ve been receiving since about 1987, I don’t really hold it against the man reading me the riot act. He’s just part of the process and covering his ass. Making sure I understand the position of my ass. I get that. But I was tired. Even a little annoyed at myself for how much I’d spent and at the small return—especially once I saw how many e-books were downloaded and no associated reviews or whatever (even bad ones) with all those downloads. Free downloads. Sure, Mark Coker (whom I’ve met and talked with—and a super, super GREAT guy) and the rest say that’s that M.O. for Indie publishing—giveaways. They will earn themselves out sometime…near or far future…but still…I was miffed. I gave away hundreds of books, and figured they were all languishing in the dark, dank corners of hundreds of harddrives, ignored and never to be read. Bit fillers.

Okay, I’m projecting and generalizing, there, because I was tired, but that was what was going through my mind. I can’t assume to know everyone’s mindset when they acquired my work, but I was happy that so many had acquired them. At that point, I just wasn’t happy with the lack of the almighty frigging important profits…and I was unhappy with the mere thought of profits!


You see, folks, taxes bring out the weak links in businesses. The whole idea behind businesses, we are taught, is to make money. Not that we make the world a better place by the businesses we bring into existence, not that we’re out to help others. Not any other thing—


Yes, that severely chafes me. Because every year I have to put my Business Hat on and talk money.

Artists don’t like talking money.

We don’t do what we do for the money. But…if we want to live…we have to make some sort of remuneration. Many of us have other jobs that do make money…but all of us, well nearly all of us—I don’t presume to know everyone’s motives—would love to be able to do the one thing that keeps us going…that feeds our souls…and make a living at that.

The IRS.

But this conflicts with IRS rules and regulations, if you’re making any money. Cause, if you make money, you must pay the piper. I don’t mind paying the piper. The piper is fine. We live in a great country, and somehow, we have to pay for things in this great country, and taxes are our mechanism. Live with it. Get over it. Taxes are how we get to reap the benefits of living where we live…whether or not they are properly managed is a whole ‘nother, exhausting argument.

I don’t want to bore with all the intricacies of the IRS Code, because I don’t know it and would have to research it, and, frankly, I’d rather force-vomit-up repeatedly the entire day than have to read that stuff, but here are some case studies on the matter of writers and taxes. The basic takeaways are:

  1. Treat writing like a business.
  2. Must prove the intent of making a profit in the business of writing.
  3. If no profit is made, show that it was due to circumstances beyond one’s control, like customary business risks, casualty losses, or depressed market conditions.

Now, I’m oversimplifying, and there are many and various methods to those steps, and I’m not gonna get into them, because I’m not legal counsel and the tax law is far more complex than it needs to be, but check out that link for interesting case studies and consult your tax folk. It’s interesting that there are cases where the IRS deemed a writer as not a writer-for-profit, the case then taken to court, and the court decreed that the writer was a writer-for-profit. So, all is not lost. One of the other things in those cases, was that the writer had to prove that their not making a profit was due to the third item above. In any event, nothing’s easy, nothing’s a given. You have to make every effort to treat your writing like the business it is, if you want to claim anything on your taxes and not use hobby/loss rules. There’s always a chance you could get audited, but, if you do, you can still “win,” as long as all your ducks are in a row.

Okay, so in the interests of showing how business-like I am, here is what I’m doing, plus/minus:

  1. I get up every damn day (twice on Sundays…okay, also Mondays-Saturdays, since I appear to have RLS), whether or not I feel like doing it, and write something. Promote.
  2. I log all my time on the computer for all my writing time.
  3. I log my submissions and important events in a logbook.
  4. I spreadsheet all expenses, income, and mileage.
  5. I spreadsheet inventory.
  6. I blog.
  7. I interact on social media (WordPress, Twitter, Pinterest, FB, AboutMe, LinkedIn the occasional online forum, like, currently, an Amazon forum).
  8. I push the Indie Publishing agenda.
  9. I interview on traditional and Internet radio.
  10. I try to get any gig where I can to advance the Indie Agenda, and get my work out there.
  11. I annoy and guilt others into buying my book, when severely hopped up on caffeine—which, I’m finding, I seem to need more of as I get older. Iced Tea doesn’t seem to be cutting it any longer (see RLS, above). I do same, to get readers to review my work. Note: why do I do this? I do it so others will see how much other readers have liked the book, so they, too, might like it and buy. If this was just for a frigging hobby, I could give a shit if someone liked it or not (as in I’d be doing it for my benefit and relaxation and it doesn’t matter if you like or don’t like that…) and wouldn’t keep embarrassing myself into asking readers for reviews—even short ones. My ego does not need stroking (some might say it strokes itself…). But, again, I’d really like to make a living off this stuff, so….
  12. I try to get writer conference sessions.
  13. I’ve submitted my work for official reviews, like The Midwest Book Review and (whose link, curiously, seems to be down, since I sent my work to them…).
  14. Am constantly prowling (yes, prowling) for any opportunity to further advance the cause of my work (note, I didn’t say me…my work…). I’ve even got my dad trying to sell my books in upstate New York. Any of you can also help out by trying to get me in anywhere you’d think I’d fit (note, I’m not 165 lbs…am currently about 200, so keep that in mind). Get me a radio phoner interview (where I’d call in, versus showing up in-studio), invite me to your library or writer/reader groups, if in driving distance (or “they” pay for my airfare and hotel…  :-] ), send links to my work all over the planet, talk my books up whenever you can, interview me for your blog. I’m a fun guy. Witty sometimes. See, I am prowling, even trolling (note double entendre, which, originally, was “double entente,” c. 1670s)…

Thing is, I’m no longer 23 and can’t do 20-hour days anymore. I do do (go on, laugh, it’s allowed) 18-hour days, though. I have a day job that’s frequently been more than just a day job and do get quite exhausted by day’s end, so that curtails evening events (frequent ones, anyway) at the moment. I also workout after work. That takes a couple hours. Staying fit is important on many levels, but to Mr. and Mrs. IRS that should mean it makes me a lean-mean-profit-making-machine. Or tries to, anyway, but, given the glutted publishing market and “customary business risks, casualty losses, or depressed market conditions,” it’s hard to break into and make a profit in the publishing world. But I’m still in there swinging. Because I lift weights. Cardio give me longevity.

Now, yes, some of this all might sound decidedly mercenary (in actuality, reviews are not just about the promotion to me, I’m truly curious about how people interpret and feel about the stories; I’ve written them to touch and impact in some way, even inform…), take some of the romanticism out of us writers, but, sigh, we’re just trying to make a living. We’re not egotistical—most of us don’t even like the limelight—but we have a driving need to write. To convey stories we hope others might find fun or interesting. What do each of you do to stay employed? How do each of you sell yourselves? It’s a true pity so much focus is put on profitability, but you have to also look at it from the IRS’s point of view: people cheat. Once you understand that, everything else falls into place.

Don’t hate the writer. We just wanna write…and without us, you don’t have anything to read.

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A HUGE Thank You To All of You!

By Erkan Yilmaz (Own work) [Public domain], via Wikimedia Commons

By Erkan Yilmaz (Own work) [Public domain], via Wikimedia Commons

I just wanted to give a heartfelt THANK YOU to everyone who has taken the time to visit my sites (here, FacebookAbout Me, LinkedIn, Twitter, Pinterest), read and review my work, or to mention any of this to another. In interacting with me on social media (oy, and trying to stay up and current on all this social media while working a day job, trying to WRITE, living a regular life…?!).

It is still weird to me, as long as I’ve been writing, the whole promotion thing…focusing attention on me…so, I look at it more as focusing attention on the work (I even have a hard time saying my work!). The books, the stories. These are things people like me like to say we “channel,” or sculpt into existence. Like a wood carver “discovering” the shape that “forms” out of tree trunks or limbs. We shape things. I suppose we all do it for different reasons, like entertainment, enlightenment, cathartic release. I’m sure you’ve heard it all before. Whatever the reason, we just do it. It’s what’s “built” into us…mechanics are drawn to oil and machinery and athletes to their sports. We’re all drawn to something in our lives. Writers/artists are no different. But in our case, without you, we’re only halfway there. To write is to be read, and I am ever grateful for you being on our team, because it is a team.

I appreciate that you’ve taken time out of your day to spend a little of it with people like me to read, comment, discuss, commiserate, what-have-you. There’s a lot going on out there, and I’m very appreciative of everyone’s time and efforts, and I periodically like to let you all know that I try to take very little for granted…especially my readers and support group—YOU.

Thank you!

Amazon Breakthrough Novel Award Contest

Well the contest everyone loves to hate by the company everyone loves to hate has opened its entry period February 16 – March 2, 2014, for the 2014 Amazon Breakthrough Novel Award Contest (ABNA).

It’s open to all unpublished and self published, English language novels. The contest will remain open until March 2, or 10,000 eligible entries have been received. Entrants can log into CreateSpace.

There will be one Grand Prize winner, who’ll receive $50,000, as well as four First Prize winners, who’ll receive a publishing contract from Amazon, and an advance of $15,000.

The categories are general fiction, mystery/thriller, romance, science fiction/fantasy/horror, and young adult fiction.See the Official Contest Rules for more info, and the prizes page for, you know, prize stuff, et cet.

You can only enter one manuscript per category.

The Uninvited and ERO can fit into two categories. Am I gonna enter?

Plan on it.

UPDATE Feb 22, 2014:

Upon reading the Amazon contest contract, I noted a curious clause, called the “Moral Rights” clause. It kinda disturbed me. It states that we waive all moral rights, which means the rights of attribution and integrity. Here’s  a link describing said clause, and below is a response from a fellow writer/publishing lawyer, Susan Spann, who has graciously allowed me permission to post her response:

“I’ll pipe in from the publishing lawyer’s perspective.

‘Moral rights’ are more important abroad than they’ve traditionally been in the U.S.

The right of attribution means the author’s right to have his or her name associated with the work. That’s critically important, but generally dealt with elsewhere in the contract (with U.S. Contracts, anyway).

The right of integrity is the right to prevent ‘mutilation or alteration’ of the work. Again…important to most of us, but dealt with in a section usually titled ‘editing.’

Ultimately, moral rights are the right of the author to have his or her name associated with the work and to prevent non-permitted changes to it. Most of those rights are addressed elsewhere in U.S. contracts, and many publishers do ask for waivers of moral rights. Most authors just don’t notice them lurking in the legalese. That said, there may well be other rights-grabs in the Amazon rules that warrant attention.”

But, you have to enter the contest, stay with the contest, then win the contest to even be considered for/get an Amazon publishing contract, which means you have to abide by giving up all moral rights to even get the publishing-your-book contract where “all this” would “be handled.” And by who—you? Better get an agent…but, of course, that’d be too late, since you already gave up your moral rights by entering and staying with the contest contract.

Read that contract. I am/still going over it.

So…I’m considering withdrawing from the contest. I’m perfectly content with the result of my indie releases, and was just looking to gain a publishing house, so I didn’t have to pay out money to publish. It appears…TANSTAAFL…still applies.

Additionally from Susan:

“Normally a moral rights waiver is pretty clear. The language will be something like ‘Author waives all moral rights in and to the Work.’ That clause may stand alone, or may lurk elsewhere in the document. Generally speaking, though, the language is actually going to use the words ‘moral rights.’

The true lurker versions of this language get rid of the moral rights piecemeal (which is more common in the U.S.). The words ‘Publisher has the right to edit the Work, and the right of final approval over the form and content of the work’ are essentially a waiver of the moral rights against defacement and alteration – because the author is giving the publisher the final right to edit and approve the work. Where the author requests additional language that says ‘provided that Publisher’s changes may not substantially alter the substantive content of the Work,’ the author is rescuing some of those moral rights — the ones that deal with substance and content.

The same is true of the attribution right. When the contract states that the Publisher ‘will’ credit the author as author of the Work on the title and verso page, that’s a protection of the author’s moral right of attribution.

In one sense, this has become a lesser issue in the U.S. because we deal with the individual rights that make up “moral rights” separately in our standard contracts.

Also, this clearly needs to get into my #PubLaw posts somewhere. I’m not sure I’ve done one on moral rights.

I used to teach this as part of the intellectual property and copyright courses I taught at the law school level, and I can tell you it gave new lawyers issues too.”

Susan also had issues with other parts of the contract that gave me increased pause for thought. For instance, the Grand Prize winner’s grant of rights in all forms and formats doesn’t terminate like the other “levels-of-winners” do. And there’s no specifics about when the “all forms and formats” runs out.

So, given I no longer have an agent, and given all the terrific info Susan—a publishing lawyer—gave, I’m withdrawing my submission.

Thanks, Susan, for all your advice and information!

Disclaimer: And, just to be clear, Susan did NOT recommend any course of action to me (she did not recommend I withdraw in any way, shape, or form), this is all and totally MY decision.

Be[ a]ware.

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The personal opinions of a guy just trying to make it through life.

~ Sisters of the Quill ~

The personal opinions of a guy just trying to make it through life.

Wine And Roses From Outer Space

Life On The Edge... Of The Sofa


Mandy Pratt

Seeker of Truth

Credo in Unum Deum

Vampire Syndrome Blog

Home of the Vampire Syndrome Saga, published by PDMI Publishing LLC

Write on the River

Factual Fiction by Bob Mayer

Karen Kubicko

A Journey through Past Lives and other Metaphysical Ideals

Belle Grove Plantation Bed and Breakfast

Birthplace of James Madison and Southern Plantation

The Saturday Morning Post

Delivered Fresh Every Saturday Morning

Cecile's Writers

Where intercultural writers connect.

X Rated

Musings on chick stuff

Small Press Reviews

Champion of the Indies

Paranormal Team

Blogging about the paranormal (and other things...)

The Red Pen of Doom

Conventional wisdom about writing is conventionally wrong.

Among Ghosts

Come with me as I walk...


Marc Schuster's Random Musings and Ephemera

HoarseMan of...

Awakened by a rough whisper in the night...

The Soul Survivor Blog

Just another weblog

Becky Clark, Author

A teenager trapped in a middle-aged body


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